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Grandchildren Repetitious but Important
Kerri Kanelos
December 18th 2005
     William S. Yellow Robe, Jr., Playwright-in-Residence at Trinity Rep, wrote Grandchildren of the Buffalo Soldiers at the insistence of his wife who succumbed to cancer in 1996. As part African-American and Assiniboine, Yellow Robe, Jr. had spent most of his life feeling detached from his African roots. This piece is his way to bring issues about race and culture in the Native American community to light in hopes of opening up a dialogue. "What I want is for the play to provide a point of civil discourse, where we can actually sit and talk to one another without playing the victim card, or 'my oppression was greater than yours," he said.
     Directed by Lou Bellamy from the Penumbra Theatre Company in Minnesota, Grandchildren follows the story of the Robe children (Craig, Brent, Elmo and Sugar) who are descendants of a since deceased Native American mother and African-American father. When eldest brother Craig returns to his family on a Montana reservation to witness his niece's naming ceremony, old wounds regarding the family's heritage are reopened.
     In the decade since Craig's departure from the reservation, brother Brent has distanced himself and the rest of the family away from its African heritage in an effort to find acceptance in the Native community. Throughout the performance, it is shown that sometimes full-blooded Indians envy Native Americans with mixed heritage because it can be easy to detach from Indian roots to assimilate into their other cultures. Since Craig is more visibly African-American than his brothers and sister, it is much more difficult for him to find a "home" in either culture.
     This is such an important performance to witness because it brings up topics about identity, oppression, and race that are not found in mainstream conversations. However, the performance did seem to drag on a little too long while hammering home the same points over and over again.
     Trinity's Dowling Theatre provides a great, intimate setting for this hard-hitting performance. A simple, practical stage with tall grasses, a blue sky filled with puffy white clouds, and layered wooden floors bring the audience home to the Montana reservation.
     The cast of Grandchildren gave a rather convincing, emotional performance with the exception of James Craven (Craig), who seemed rather over-the-top in his delivery. His monologues were overly dramatic for no reason and did not mesh well with the rest of the cast who appeared much more down to earth.
     Jake Hart (Brent) gave an excellent performance because even though he is the only sibling ashamed of his African roots, one can't help but empathize with his identity crisis. New York City actor freedom bradley (Elmo) provided a great balance as the Robe's youngest, developmentally disabled brother, while Maya Washington (August) played a convincing 10 year old, although this role could have been stellar performed by a real child as well. George A. Keller (Sugar) and M. Cochise Anderson (Stevie) played a believable married couple that is working together to bring peace and understanding to their family as well as their young daughter.
     Grandchildren of the Buffalo Soldiers runs through January 8th at Trinity Repertory Company, then continues at theatres throughout New England. Contact the box office (401-351-4242) for tickets or visit www.trinityrep.com.