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Martinez Premieres 'Ocean Jewels' to the Ocean State
Kerri Kanelos
October 31st 2003
Show:
Designs:
     Club Therapy at Gallery Insane came to life on Sunday night as Rhode Island fashion designer Marisol Martinez debuted her first solo show, 'Ocean Jewels.' Although she first began designing clothing at the age of ten, Martinez's creativity was truly recognized during her time at Hope High School in Providence. After a teacher discovered her talents and encouraged her to flourish, Martinez founded a design program at her school. Through two fashion shows, scholarships and support from friends and family, Martinez raised enough money to attend the Fashion Institute of Technology and Parsons School of Design in New York City. While in New York, she learned the ins and outs of the production side of fashion design, "the whole process from sketch to pattern and how to design for a person realistically."
     After her studies in New York City, Martinez returned to the Ocean State and opened a shop called Milana Boutique for a short time on Wickenden Street in Providence. Retail sales were relatively slow, but the shop provided the opportunity to network with potential special order customers. "Retail was never number one," she said, "but I got a huge amount of custom order clientele from the shop." Currently, Martinez makes a living through her custom orders only. Most of her individualized pieces are for women's gowns for special occasions such as weddings.
    'Ocean Jewels' took over one year to create, from concept and design to the premiere on Sunday night. With the help of only one seamstress, Martinez created almost 100 designs by hand for this show. According to her, the patterns for each piece proved to be the most challenging part of the creation process. "I haven't slept in months," she said. Up until the last minute, she was constantly consumed with the steps needed in order to run a successful solo show. In the wake of the Station nightclub fire, new Rhode Island safety code regulations prevented Martinez from fully executing some of her creative design ideas at Club Therapy. Since many of the models lost weight after the initial fitting, she found herself backstage reconfiguring and pinning her creations for the perfect fit.
     As the name of the show implies, 'Ocean Jewels' included pieces that were inspired by the exotic creatures and colorful life forms of the sea. To play off the diversity of the ocean, some of Martinez's series were bright and airy; others were distinctively dark and sharp. A great mix of hypnotic house music, spun by DJ DEK-ONE and Bradford James, kept the show in step while also entertaining the audience. Club Therapy proved to be an intimate and rather upscale venue for first time, solo fashion show. I was also amazed at the live reading during intermission by Ove the Magnate, a student of the SEED program in New York City. The number of audience members was encouraging, especially since Martinez kept the amount of advertising to a minimum.
     The show began with a series of deep, navy blue denim pants, coats and skirts which were decorated with green, red and yellow lines and were brilliantly casual. I particularly enjoyed the two-toned denim pants with bright cherry lining. The show also included a set of tight, colorful leather designs that were incredibly flattering. One model wore a short, plastic red plaid skirt paired perfectly with a form fitting red shirt. Martinez's premiered several pieces that featured tight, simple tops with intricate, flowing bottoms. A rather extensive set known as the "pipes" collection included combinations of white, bright turquoise, lemon and reds that were masterfully applied to everything from casual jackets to more professional women's suits.
     The audience particularly seemed to enjoy several pieces that resembled fish scales. A short skirt with a variety of shades in purple and white was beautifully paired with a fitting, sparkly lavender shirt. Martinez also designed an interesting ankle length trench coat with the same material in black, beige and white. A lengthy dress in gold and bronze scales also received quite a bit of attention. Martinez said that each of these pieces required painstaking detail and quite a bit of creative preparation.
     After viewing many of Martinez's special occasion gowns, it is no surprise why most of her clientele ask for her dresses. Audience members seemed enraptured with a dark gray, sleeveless gown outlined in crimson lining. Towards the end of the show, a coral inspired dress with matching bright red leather headpiece received quite a warm reception. The show also included several shorter dresses that hung off of one shoulder.
     While Martinez's fashions are completely top notch, the show itself seemed poorly organized in a few areas. At the 7:00pm start time, audience members filled almost every nook at Club Therapy. However, a handful of people left the show because it didn't begin until almost a full hour and a half later. Show assistants that looked increasingly frustrated were sprinting back and forth in their attempt to smooth out all last minute details. A show participant, dressed in one of Marisol's wildly colorful designs, stood on a platform next to the runway and attempted to keep the audience entertained as she swayed to the music. Unfortunately, her performance lasted the entire show and was rather distracting at times. A few models even got caught up in her long, gauzy outfit as they entered the runway.
     Since the hors d'ouevres and beverages were located on the bar directly at the end of the runway, hungry and thirsty audience members were continually blocking the view of the show. Although most of the models did an amazing job, there were a few that ruined the overall mood. One model in particular always presented herself with a terribly bored look on her face and appeared as through there were several other places that she would rather be. Some of the more amateur participants scampered down the runway too quickly to fully take in each piece. On more than a few occasions, the models had difficulties walking on the runway because the floorboards appeared to be weak in certain areas.
     For the future, Martinez is thinking about bringing the show's "pipe" line to New York City. Also, she is currently interviewing for a position as a children's clothing designer. Since 'Ocean Jewels,' she has also received several phone calls from potential customers who attended the show. Overall, Martinez is pleased with the outcome of her first solo venture. "I think it went great," she said, "Personally, there are a lot of things that I would do differently-but it was great that my friends all came together to help." Through the hectic schedule and barrage of challenges during 'Ocean Jewels' Martinez truly realized the importance of her craft and is more than willing to do it all over again. "After all of the chaos, I walked out and thought 'This is what I want to do; this is what I always want to do'."
     In regards to pricing and custom order inquiries, Marisol Martinez can be reached at (401) 615-9532.

This article was previously published on www.lovethyjob.com